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Vol 46 no 1, Feb 2024
President’s update
By Colin Thomas   |   February 2024   |   Vol 46 no 1

I trust all members had an enjoyable festive season with family and friends, and took the opportunity to relax. During this period of relaxation, you may well have spent some time reading Australiana and the book so generously donated regarding John Mitchell Cantle, Australia’s first native-born orn...

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Vol 46 no 1, Feb 2024
Sydney Technical College and Australian Flora in Art
By Yvonne Barber   |   February 2024   |   Vol 46 no 1

For 65,000 years, Indigenous Australians have incorporated Australian materials into their art, objects, weapons and tools. From the first year of British colonisation, settlers tried to adapt Australian materials and later, Australian motifs, into their art, manufactures and tools. A century later, Frenc...

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Vol 46 no 1, Feb 2024
Members' Awards on Australia Day
By    |   February 2024   |   Vol 46 no 1

Members of the Australiana Society have many distinctions. Our president Colin Thomas has already praised the work of Di Dorothy Erickson AM on receiving her Member of the Order of Australia award, but at least two more Australiana Society members were honoured. Julian Bickersteth AO and Dr Judith McK...

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Vol 45 no 4, Nov 2023
President's update
By Colin Thomas   |   November 2023   |   Vol 45 no 4





Thank you to members who attended
the 2023 AGM in person and via Zoom.
From my perspective it was great to
catch up with members and present the
45th AGM of our wonderful Society. A copy of my President’s Report is
included in this magazine as is the
Financial...

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Vol 45 no 4, Nov 2023
Annual Report of the Australiana Society 2023
By    |   November 2023   |   Vol 45 no 4

... 







The 2023 financial year has proven to be another great year for the Society.
With the disaster that was COVID-

19 behind us, your board got to work at a national and state level to deliver
enhanced opportunities to benefit
me...

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Vol 45 no 4, Nov 2023
The Lahey Project: recording the oeuvre of a prominent Queensland artist
By Glenn Cooke   |   November 2023   |   Vol 45 no 4




Vida Lahey is a well-regarded Queensland artist who exhibited in 33 solo exhibitions beginning in 1902. More recent interest in
women artists rekindled interest in her works. Glenn Cooke reveals a project to document Lahey’s output and seeks the help of
collectors in this...

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Vol 45 no 4, Nov 2023
Henry F Hutton and the Hutton family, Victorian jewellers
By Teaghan Hall   |   November 2023   |   Vol 45 no 4




Jewellers in colonial Australia, often lured by the gold rushes, came from various parts of Britain and Europe, arriving already
having served their apprenticeships. Teaghan Hall tells the story of several members of the Hutton family, who initially came to
the colonial Victorian...

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Vol 45 no 4, Nov 2023
William Milner and his ceramic legacy
By Gregory Hill   |   November 2023   |   Vol 45 no 4




European immigrant William Milner was a little-known entrepreneur who established a porcelain manufacturing business after
arriving in Melbourne in 1911. The porcelain industry was largely driven by a massive need for electrical insulators, and, as
COVID-19 has demons...

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Vol 45 no 3, Aug 2023
Vol 45 no 3, Aug 2023
President’s Update
By Colin Thomas   |   August 2023   |   Vol 45 no 3

As announced in the May issue, the 2024 National Tour will be held in and around Adelaide, South Australia. The organising committee has already secured visits to several private collections belonging to South Australian members and these will be combined with enhanced viewing of some sig...

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Vol 45 no 3, Aug 2023
Wedgwood: Master Potter to the Universe
By Timothy Roberts   |   August 2023   |   Vol 45 no 3

Curator and historian Tim Roberts previews a new exhibition on the English ceramics firm Wedgwood, founded by Josiah Wedgwood in 1759, and linked with the British colonisation of Australia through its design and manufacture of the ‘Sydney Cove Medallions’ in 1789. These were made from Sydney clay sent...

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Vol 45 no 3, Aug 2023
The Squatter’s Delight, or ‘A Man’s Chair’
By Robert Griffin   |   August 2023   |   Vol 45 no 3

Robert Griffin makes the case for the introduction of the squatter’s chair – a robust easy chair with swing-out leg rests – as an idea imported from India in the early 19th century. These chairs found a home on the shady verandahs of homesteads, particularly in Queensland and NSW, where the lan...

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Vol 45 no 3, Aug 2023
Book Review: Ron Radford, John Glover. Patterdale Farm and the Revelation of the Australian Landscape
By Scott Carlin   |   August 2023   |   Vol 45 no 3

Leading colonial artist? Or leading early 19th-century British artist working in the colony of Van Diemen’s Land? Clearly the latter. Ron Radford, John Glover, Patterdale Farm and the Revelation of the Australian Landscape reveals how John Glover (1767–1849), a leading artist...

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Vol 45 no 2, May 2023
President’s Update
By Colin Thomas   |   May 2023   |   Vol 45 no 2

The year is off to a great start. The National Tour conducted in the ACT was fully subscribed with the maximum 40 members and state events have already been held in Tasmania and Victoria. Part of the Victorian event was a curator-led presentation by Emma Busowsky prior to viewing the Bendigo Art Gall...

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Vol 45 no 2, May 2023
National tour to Canberra and Regional NSW
By Peter Crawshaw   |   May 2023   |   Vol 45 no 2

The March 2023 Australiana Society National Tour of Canberra and regions was a great success. Forty people from NSW, Victoria, Tasmania and Queensland enjoyed three days visiting diverse collections and houses. Each venue gave us a different perspective and appreciation of Australiana, in d...

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Vol 45 no 2, May 2023
I’ve been Framed
By R A Fredman   |   May 2023   |   Vol 45 no 2

Bob Fredman suggests old picture frames as another area of affordable and rewarding collecting. As well as being potentially useful, these nostalgic items often have an interesting story to tell, as Bob demonstrates with these examples, all found in Queensland.

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Vol 45 no 2, May 2023
The workshop of Sydney silversmith William Kerr
By Yvonne Barber   |   May 2023   |   Vol 45 no 2

A descendant of his sister Rebecca wrote about William Kerr in Australiana over 20 years ago, presenting new material obtained from family sources.1 With the help of other descendants, Yvonne Barber expands on this earlier work, beginning with the apprenticeship of William Kerr. She provides det...

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Vol 45 no 2, May 2023
Australiana: Designing a Nation, Bendigo Art Gallery 18 March to 25 June 2023
By Emma Busowsky   |   May 2023   |   Vol 45 no 2

Bendigo Art Gallery has drawn on its collections, the Australiana Fund, other collections and especially the National Gallery of Victoria to mount a new survey of Australiana from British settlement to today. Obviously it cannot cover every aspect of Australiana, nor every way artists and crafts...

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Vol 45 no 1, Feb 2023
President’s Update
By Colin Thomas   |   February 2023   |   Vol 45 no 1

Your Board trusts that you have enjoyed exploring our new website, taken the opportunity to review it in detail and researched past articles. Members’ feedback has been most encouraging! As with any change, there is always the odd issue; we are doing our best to fix them and will further enhance the site base...

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Vol 44 no 4, Nov 2022
President’s Update
By Colin Thomas   |   November 2022   |   Vol 44 no 4

Thank you to the members who attended the 2022 Annual General Meeting in person or via zoom. Thank you also for the show of support to me as President and to the other Directors who were elected.

I particularly thank Peter Crawshaw for his nomination and subsequent election to the Secretary’s position. Ly...

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Vol 44 no 4, Nov 2022
William Knox D'Arcy: Art Collector and Patron
By Dianne Byrne   |   November 2022   |   Vol 44 no 4

William Knox D’Arcy (1849–1917) is remembered today as an indefatigable adventurer, who through financial daring and
extraordinary good fortune, became the ‘founder’ of the modern oil industry in the Middle East. However, there is another
facet to his life, as the ex-Rockhampton solicitor who became a...

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Vol 44 no 4, Nov 2022
I Opine it’s a ‘Pine’
By R A Fredman   |   November 2022   |   Vol 44 no 4

From the foundation of the colonies, local cabinetmakers experimented with using the wide range of native timbers. Bob Fredman discusses a chest of drawers, most likely made about 1900 in Bundaberg, Queensland and probably by a local cabinet maker of Germanic heritage, who liked to use contrasting timbers with ...

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Vol 44 no 4, Nov 2022
Queensland to a T Collection and Exhibition, State Library of Queensland
By Peter Spearritt   |   November 2022   |   Vol 44 no 4

Prodigious Australiana contributor Glenn R. Cooke is well known through his professional interests in Queensland art, decorative arts and social history. But that does not define Glenn; he loves ballroom dancing and gardens, as well as pursuing a sideline in collecting artefacts relating to his home stat...

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Vol 44 no 3, Aug 2022
President’s Update
By    |   August 2022   |   Vol 44 no 3

It is indeed pleasing to see members honoured for their services to the community. In the 2022 Queen’s Birthday Honours, Mrs Phyllis Murphy of Melbourne and Mr Alan Landis of Sydney were recognised with Member of the Order of Australia (AM) and Medal of the Order of Australia (OAM) respectively. Both richly d...

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Vol 44 no 3, Aug 2022
Early school samplers from Van Diemen’s Land
By Nicola Kissane   |   August 2022   |   Vol 44 no 3

As part of their education in useful arts, schoolgirls sewed their own individual samplers, which are also important indicators of progress in educational methods and reach. The format is fairly standard, with the letters of the alphabet in either or both lower and upper case and basic numbers, plus the gi...

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Vol 44 no 3, Aug 2022
Thomas Griffiths' book box construction
By David Bedford   |   August 2022   |   Vol 44 no 3

Thomas Griffiths (1856–1943), a Welsh blacksmith and wheelwright, emigrated to Queensland to start a new life as a ‘skilled migrant’, at first clinging to his old profession in the Ipswich area. When the Queensland railway network was expanding, he saw
a new business opportunity and opened a sawmill at...

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Vol 44 no 3, Aug 2022
Splayds – ‘the runcible spoon that captivated the world’
By Yvonne Barber   |   August 2022   |   Vol 44 no 3

Invented in 1948 and manufactured 'from the early 1950s, Splades or Splayds were a favourite gift for shower teas, weddings and Mothers’ Day in 1960s and 1970s Australia. We were vaguely aware that they might be an Australian innovation, but that wasn’t part of their advertising – they were prom...

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Vol 44 no 2, May 2022
Australiana Society Sydney Basin Tour, March 2022
By Peter Crawshaw   |   May 2022   |   Vol 44 no 2

Numbers were limited on the NSW Branch’s recent successful tour of the Sydney Basin, so one of the organisers, Peter Crawshaw, reports on it for members who were not able to take part in person, especially those who live outside Sydney. Colonial furniture collector Bob Fredman was honoured to be asked to give...

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Vol 44 no 2, May 2022
Madame Henry, Juliette Lebeau-Lopes-Rastoul-Henry
By Yvonne Barber   |   May 2022   |   Vol 44 no 2

Visions of a Republic. The work of Lucien Henry, the lavishly illustrated 2001 book produced for an exhibition on the designs and art of Lucien Henry (1850–1896), devotes more words to describing a photograph of the couple’s apartment in Darlinghurst (plate 1) than it does to describing his wife Juliette. Y...

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Vol 44 no 2, May 2022
Indigenous motifs on a silver brooch
By Christine Erratt   |   May 2022   |   Vol 44 no 2

We often recognise Australiana by the presence of motifs depicting Australia’s unique flora and fauna and, especially in the 19th century, representations of Indigenous figures. Anthropologists studied Indigenous people, while the things they made – much of it, what we would describe today as art – were r...

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Vol 44 no 2, May 2022
King Albert’s ‘Birthday Book’
By John Wade   |   May 2022   |   Vol 44 no 2

After Albert I King of the Belgians refused safe passage to Kaiser Wilhelm’s troops to attack France, Germany invaded neutral Belgium on 4 August 1914. Britain, bound by an 1839 treaty to support Belgium’s neutrality, declared war on Germany the same day. Australian Prime Minister Joseph Cook offered his go...

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Vol 44 no 2, May 2022
A presentation casket with carving by John K. Blogg, 1915
By Sarah Guest   |   May 2022   |   Vol 44 no 2

The box seen here shows the superb carving of John Kendrick Blogg, a successful and entrepreneurial industrial chemist who was born in 1851 in Canada, settled in the Surrey Hills region of Victoria in 1877 and died in 1936. His day job involved making perfumes and extracting essential oils. Family legend has it...

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Vol 44 no 2, May 2022
Breaking the mould
By Robert Griffin   |   May 2022   |   Vol 44 no 2

Wet conditions in humid climates, and especially with the recent floods in eastern Australia, exacerbate the problem of household damp and mould. For collectors, this is likely to affect sensitive items, such as furniture and works of art on paper. So remember to check your collection regularly, and follow some...

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Vol 44 no 2, May 2022
President’s update
By Colin Thomas   |   May 2022   |   Vol 44 no 2

What an outstanding event the Sydney Basin Tour proved to be! While I have detailed this verbally and via personal email, it would be completely remiss of me not to publicly thank Robert Hannan, Peter Crawshaw, Andy Simpson and Tim Cha for their outstanding efforts in planning and delivering a wonderful event. ...

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Vol 44 no 2, May 2022
Photographing your Collection
By John Wade & David Bedford   |   May 2022   |   Vol 44 no 2

There are sound reasons why you should have good photographs of items in your collection, whether as a record, for research, for publication, for sale and for insurance.

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Vol 44 no 2, May 2022
Looking for Paintings on Gum Leaves
By    |   May 2022   |   Vol 44 no 2

Paintings on gum leaves are a unique Australian tradition, which began in the 1850s or 1860s and still continues today. The earliest practitioner recorded is Arthur William Eustace (1820–1907), who was born in England and arrived in Victoria with his family in 1851. He found work as a shepherd near Chiltern i...

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Vol 44 no 1, February 2022
Book reviews
By    |   February 2022   |   Vol 44 no 1

JOURNAL REVIEW BY DR ROSS JOHNSTON, Queensland History Journal, vol. 24, no. 11, November 2021, (Journal of The Royal Historical Society of Queensland); BOOK REVIEW BY DR LINDA YOUNG, Fringe, Frog & Tassel: The Arts of the Trimmings-Maker in Interior Decoration. By Annabel Westman; BOOK REVIEW BY DR DAVID BEDF...

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Vol 44 no 1, February 2022
Henning Rathjen: Victorian art potter 1948–1968
By Anne Johnson & Anthony Armstrong   |   February 2022   |   Vol 44 no 1

In the aftermath of World War II, many commercial potteries were established in Australia to satisfy the market disrupted by hostilities, particularly for Japanese and European imports. While some of these new commercial potteries were established by immigrants from war-ravaged Europe, Henning Alfred Rathjen (1...

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Vol 44 no 1, February 2022
Teaching artists by copying the Masters
By David Hansen   |   February 2022   |   Vol 44 no 1

In the Middle Ages and Renaissance, workshop and guild traditions were based on the principle of emulation, with apprentices learning by copying the works of their masters. In painting, the practice was gradually regularised and systematised in the curricula of emergent national academies of art, beginning at t...

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Vol 44 no 1, February 2022
Jack and Achilles: a classical source for Benjamin Duterrau’s Native taking a Kangaroo?
By David Hansen   |   February 2022   |   Vol 44 no 1

Artists in early Australia were usually trained in Britain and Europe in the Classical tradition going back to ancient Greece and Rome. David Hansen explores the possibility that, in the composition of his paintings created in Van Diemen’s Land, Benjamin Duterrau was influenced by Renaissance and Classical mo...

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Vol 44 no 1, February 2022
President’s Update
By    |   February 2022   |   Vol 44 no 1

I trust all members had an enjoyable festive season with the family and friends they were fortunate enough to be able to see. As I have stated all too often, COVID never ceases to amaze with the number of twists and turns it continues to deliver. Who would have ever thought that, with the vaccination levels mos...

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Vol 43 no 4, November 2021
Book reviews
By Claire Blakey & Nat Williams   |   November 2021   |   Vol 43 no 4

Petra ten-Doesschate Chu and Max Donnelly with Andrew Montana and Suzanne Veldink, Daniel Cottier: Designer, Decorator, Dealer.
Paul Mellon Centre for Studies in British Art, Yale University Press, New Haven CT 2021. Hard cover,
256 pp, 200 illustrations, Booktopia price $59 plus postage.
Philip...

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Vol 43 no 4, November 2021
The use of Australian tulip wood in Australian furniture and boxes
By David Bedford   |   November 2021   |   Vol 43 no 4

Decorative timber inlay work became popular in British and European furniture and other wooden items in the 18th century. European exploration of the so-called New World tropics and subsequent colonisation gave access to a greatly increased range of superb cabinet timbers. Cabinetmakers initially concentrated o...

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Vol 43 no 4, November 2021
Queensland 1859 Secession’ pottery medals
By Geoff Ford   |   November 2021   |   Vol 43 no 4

Glen went on to tell us, in a joking manner, that he had made these fake 1859 Secession Medals in 1977 for fun in the hope of making some money while he was a student working in the Visual Arts department at the Darling Downs Institute of Advanced Education in
Toowoomba (now the University of Southern Queensla...

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Vol 43 no 3, August 2021
Allen Duckworth, woodworker and native timbers crusader
By Yvonne Barber & John Wade   |   August 2021   |   Vol 43 no 3

In the preceding article, David Bedford identified four Australian manufacturers of cribbage boards: Grose Manufacturing Co of Brisbane; Clipsal, a brand name of Gerard Industries in Adelaide; John Sands & Co, founded in Sydney as Sands & Kenny in 1851; and Crown Mulga made by A.W.G. Davey & Sons Lt...

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Vol 43 no 3, August 2021
Australian cribbage boards – an affordable collectable
By David Bedford   |   August 2021   |   Vol 43 no 3

Both plain and novelty cribbage boards have been produced around the world for about 400 years. Australian-made cribbage boards can only be post–1788 and at this stage I know of no boards dating before the early 1800s, though very plain boards are difficult to date accurately. By the mid-19th century, many no...

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Vol 43 no 3, August 2021
Victoria’s earliest potteries
By Gregory Hill   |   August 2021   |   Vol 43 no 3

Greg Hill’s new research, using contemporary newspapers and other resources now easily available on Trove, has found a raft of previously unknown potteries operating in Victoria in the 19th century. These push back the dates of Victorian pottery manufacture into the 1840s. Many examples of these wares however...

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Vol 43 no 3, August 2021
Vol 43 no 2, May 2021
Casuarina Timbers in Australia
By David Bedford   |   May 2021   |   Vol 43 no 2

One of the most distinctive timbers in Australia comes from trees known by their common name as casuarinas. In botanical taxonomic terms, there are actually two main genera growing in Australia: Allocasuarina and Casuarina. A third genus, Gymnostoma, is restricted to far north Queensland. The timber characteris...

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Vol 43 no 2, May 2021
‘Angels in the Studio’ in Western Australia part 3: Passing through
By Dorothy Erickson   |   May 2021   |   Vol 43 no 2

Continuing our story of the women artists working in Western Australia before World War I, we will now turn to three ‘Angels’ who came, saw and conquered, but did not stay. They were all single, peripatetic, somewhat bohemian and left their mark in several societies. Marie Anne Tuck (1866–1947); Florence ...

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The Australiana Society acknowledges Australia’s First Nations Peoples – the First Australians – as the Traditional Owners and Custodians of this land and gives respect to the Elders – past and present – and through them to all Australian Aboriginal and Torres Strait Islander people.